{"id":5050,"date":"2016-11-14T18:58:27","date_gmt":"2016-11-14T17:58:27","guid":{"rendered":"http:\/\/latelierdediablotin.fr\/WordPress3\/?p=5050"},"modified":"2016-11-14T18:59:57","modified_gmt":"2016-11-14T17:59:57","slug":"voyage-en-noir-et-blanc-a-travers-la-finlande","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/voyage-en-noir-et-blanc-a-travers-la-finlande\/","title":{"rendered":"Voyage en noir et blanc \u00e0 travers la Finlande"},"content":{"rendered":"<p style=\"text-align: justify;\"><a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2016\/11\/SibeliusNB_Ppied.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-5051\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2016\/11\/SibeliusNB_Ppied.jpeg\" alt=\"sibeliusnb_ppied\" width=\"187\" height=\"270\" \/><\/a>J\u2019entame cette semaine un long p\u00e9riple en noir et blanc \u00e0 travers la Finlande : je d\u00e9couvre la grande majorit\u00e9 des oeuvres pour piano de <strong>Jean Sibelius<\/strong> &#8211;<em>je n\u2019en connaissais qu\u2019une petite partie<\/em>&#8211; !<\/p>\n<p style=\"text-align: justify;\">Les plus anciens lecteurs de ce blog savent qu\u2019il s\u2019agit de l\u2019un de mes compositeurs de pr\u00e9dilection, essentiellement connu pour ses symphonies telluriques et son magnifique concerto pour violon, un peu moins pour la majorit\u00e9 de ses po\u00e8mes symphoniques ou sa musique de sc\u00e8ne, et quasiment laiss\u00e9 pour compte pour ce qui concerne tout le reste de sa production : musique de chambre, musique vocale et, donc, musique pour piano qui m\u2019int\u00e9resse ici.<br \/>\nJ\u2019ai eu la chance de trouver ces deux petits coffrets dans un bac \u00e0 solde en Allemagne : en France, ils restent chers et sont difficiles \u00e0 trouver en magasin. Ils font partie d\u2019une entreprise \u00e9ditoriale tr\u00e8s ambitieuse.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2016\/11\/Sibelius_piano_BIS.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-5055\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2016\/11\/Sibelius_piano_BIS.jpg\" alt=\"sibelius_piano_bis\" width=\"750\" height=\"357\" srcset=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2016\/11\/Sibelius_piano_BIS.jpg 1027w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2016\/11\/Sibelius_piano_BIS-300x143.jpg 300w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2016\/11\/Sibelius_piano_BIS-768x366.jpg 768w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2016\/11\/Sibelius_piano_BIS-1024x488.jpg 1024w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">L\u2019ensemble de la musique pour piano de Sibelius tient donc sur 10 CD tr\u00e8s bien remplis &#8211;<em>ah oui quand m\u00eame !<\/em>-, et, dans la pr\u00e9sente \u00e9dition, l\u2019exhaustivit\u00e9 est de rigueur : le moindre fragment de th\u00e8me a \u00e9t\u00e9 enregistr\u00e9 dans le cadre de cette int\u00e9grale copieuse. Ainsi, le premier CD &#8211;<em>77 plages !!!<\/em>&#8211; est de peu d\u2019int\u00e9r\u00eat, puisqu\u2019il faudra se contenter g\u00e9n\u00e9ralement de morceaux de th\u00e8mes ou d\u2019\u00e9bauches d\u2019id\u00e9es d\u2019une dizaine de secondes, not\u00e9s ici ou l\u00e0 \u00e0 titre m\u00e9moriel, mais aussi de pi\u00e8ces d\u2019\u00e9tude pas forc\u00e9ment tr\u00e8s int\u00e9ressantes. Mais la d\u00e9marche de pr\u00e9senter tout le corpus pianistique de mani\u00e8re strictement chronologique permet cependant de suivre l\u2019\u00e9volution du compositeur, passant de l\u2019aimable producteur de musique de salon, inspir\u00e9 par Schubert, Brahms et Tchaikovsky avec une pinc\u00e9e de Grieg pour le caract\u00e8re nordique, au grand compositeur en qu\u00eate de nouvelles recherches harmoniques &#8211;<em>les derni\u00e8res oeuvres, aux circonvolutions harmoniques \u00e9tranges et belles, peuvent donner une id\u00e9e de ce qu\u2019aurait pu \u00eatre sa huiti\u00e8me symphonie<\/em>-, sur un instrument qui n\u2019\u00e9tait pas son pr\u00e9f\u00e9r\u00e9 -Sibelius \u00e9tait d\u2019abord et avant tout violoniste-.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2016\/11\/FGrasbeck.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-5052 size-medium\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2016\/11\/FGrasbeck-226x300.jpg\" alt=\"fgrasbeck\" width=\"226\" height=\"300\" srcset=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2016\/11\/FGrasbeck-226x300.jpg 226w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2016\/11\/FGrasbeck.jpg 300w\" sizes=\"auto, (max-width: 226px) 100vw, 226px\" \/><\/a>Je l\u2019ai d\u00e9piaut\u00e9 tr\u00e8s rapidement, sans m\u2019attarder \u00e0 ce stade. Les derni\u00e8res oeuvres semblent, \u00e0 mes oreilles, nettement plus attirantes et bien plus d\u00e9velopp\u00e9es : transcriptions de quelques-unes de ses oeuvres pour orchestre, une sorte de traduction en noir et blanc de ses po\u00e8mes symphoniques si color\u00e9s; pages inspir\u00e9es du r\u00e9pertoire folklorique; pi\u00e8ces de genre de plus grande ampleur &#8211;<em>sans jamais atteindre \u00e0 une dur\u00e9e tr\u00e8s longue cependant<\/em>-\u2026 Quant au pianiste <strong>Folke Gr\u00e4sbeck<\/strong>, il est lui des coordonateurs de cette \u00e9dition int\u00e9grale et r\u00e9put\u00e9 pour sa parfaite connaissance de l\u2019oeuvre de Sibelius &#8211;<em>il a par ailleurs eu le privil\u00e8ge d\u2019enregistrer un album consacr\u00e9 \u00e0 Sibelius et enregistr\u00e9 sur le piano et <a href=\"http:\/\/ainola.fi\/eng_index.php\" target=\"_blank\"><span style=\"text-decoration: underline;\"><strong>dans la maison du compositeur \u00e0 Ainola<\/strong><\/span><\/a><\/em>&#8211; : je ne devrais pas \u00eatre d\u00e9\u00e7u, et, quoi qu\u2019il en soit, les points de comparaison sont inexistants, ou excessivement rares et pas toujours facilement accessibles !<\/p>\n<p style=\"text-align: justify;\">Bref, c\u2019est toujours tr\u00e8s agr\u00e9able \u00e0 \u00e9couter et rarement g\u00e9nial, mais l\u2019inspiration m\u00e9lodique et harmonique du compositeur semble infinie. Deux jolis coffrets \u00e0 d\u00e9guster patiemment, avec de nombreuses surprises en perspective ! Et un joli extrait pour que vous puissiez en profiter !<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-5050-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2016\/11\/04-Thirteen-Pieces-Op.76-No.4-Humoresque.mp3?_=1\" \/><a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2016\/11\/04-Thirteen-Pieces-Op.76-No.4-Humoresque.mp3\">https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2016\/11\/04-Thirteen-Pieces-Op.76-No.4-Humoresque.mp3<\/a><\/audio>\n<p style=\"text-align: justify;\">\n","protected":false},"excerpt":{"rendered":"<p>J\u2019entame cette semaine un long p\u00e9riple en noir et blanc \u00e0 travers la Finlande : je d\u00e9couvre la grande majorit\u00e9 des oeuvres pour piano de Jean Sibelius &#8211;je n\u2019en connaissais qu\u2019une petite partie&#8211; ! Les plus anciens lecteurs de ce blog savent qu\u2019il s\u2019agit de l\u2019un de mes compositeurs de pr\u00e9dilection, essentiellement connu pour ses [&hellip;]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[77,58],"class_list":["post-5050","post","type-post","status-publish","format-standard","hentry","category-musique","tag-piano","tag-sibelius"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/5050","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=5050"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/5050\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=5050"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=5050"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=5050"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}