{"id":5977,"date":"2017-03-26T13:39:29","date_gmt":"2017-03-26T11:39:29","guid":{"rendered":"http:\/\/latelierdediablotin.fr\/WordPress3\/?p=5977"},"modified":"2017-03-26T13:40:34","modified_gmt":"2017-03-26T11:40:34","slug":"playlist-variations-sur-une-playlist","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-variations-sur-une-playlist\/","title":{"rendered":"Playlist \u00ab\u00a0Variations sur une playlist\u00a0\u00bb"},"content":{"rendered":"

Ayant entam\u00e9 la journ\u00e9e par \u00ab\u00a0Le Nozze di Figaro\u00a0\u00bb de Mozart, ce sont des variations sur cette oeuvre qui entament cette playlist singuli\u00e8re –Cliquer sur l’image pour la voir en plus grand<\/em>-.<\/p>\n

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D’abord, des Variations sur un air de l’op\u00e9ra compos\u00e9e pour violon et piano par Beethoven<\/strong>, qui ne devait pas les tenir en assez haute estime pour les inclure dans son catalogue des oeuvres dignes d’\u00eatres publi\u00e9es, mais qui n’en sont pas moins aimables et facile d’approche et d’\u00e9coute –alors que ce duo violon \/ piano peut produire des choses parfois difficiles \u00e0 appr\u00e9hender, du moins pour moi\u2026<\/em>-.<\/p>\n

\"\"<\/a>Suite \u00e0 cela, j’ai opt\u00e9 pour la Fantaisie sur deux th\u00e8mes des \u00ab\u00a0Noces de Figaro\u00a0\u00bb de Liszt, compl\u00e9t\u00e9e<\/del> complexifi\u00e9e par Busoni<\/strong> : l’oeuvre, d’une \u00e9criture tr\u00e8s ardue, est fort peu donn\u00e9e en concert, et peu enregistr\u00e9e. Je me suis donc rabattu sur le tr\u00e8s ancien enregistrement, prodigieux, d’Emil Gilels : c’est avec cette oeuvre qu’il avait triomph\u00e9, haut-la-main, lors du premier concours qu’il remporta, en 1933, avant m\u00eame d’\u00eatre accept\u00e9 au Conservatoire de Moscou.<\/p>\n

Ce qui m’a conduit vers d’autres oeuvres de Ferruccio Busoni<\/strong><\/span><\/a>, compositeur italien un peu oubli\u00e9 de nos jours, et qui produisit une oeuvre contrapuntique complexe et dense, et des pi\u00e8ces pour piano d’une complexit\u00e9 assez extraordinaire, mais plut\u00f4t agr\u00e9able aux oreilles. Son concerto pour piano est long et dense, mais m\u00e9rite un coup d’oreilles approfondi, et ses oeuvres pour orchestre-dont vous trouverez un extrait pris au hasard<\/em>-, dans une veine postromantique, sont r\u00e9ellement dignes d’int\u00e9r\u00eat et s’\u00e9coutent avec plaisir –d’autant qu’elles trouvent une bien belle interpr\u00e9tation par un chef, Gerd Albrecht, tr\u00e8s attir\u00e9 par ce r\u00e9pertoire un peu rare, et qui en tire toujours le meilleur<\/em>-. Dans les deux cas, les prises de son m\u00e9ritent d’\u00eatre entendues : elles sont exemplaires de clart\u00e9, de dynamique et d’\u00e9tagement des plans sonores ! Ce qui ne g\u00e2te rien, bien \u00e9videmment !<\/p>\nhttps:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2017\/03\/Extrait26032017_2.mp3<\/a><\/audio>\n","protected":false},"excerpt":{"rendered":"

Ayant entam\u00e9 la journ\u00e9e par \u00ab\u00a0Le Nozze di Figaro\u00a0\u00bb de Mozart, ce sont des variations sur cette oeuvre qui entament cette playlist singuli\u00e8re –Cliquer sur l’image pour la voir en plus grand-. D’abord, des Variations sur un air de l’op\u00e9ra compos\u00e9e pour violon et piano par Beethoven, qui ne devait pas les tenir en assez […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[30,154,50,103,127,95],"class_list":["post-5977","post","type-post","status-publish","format-standard","hentry","category-musique","tag-beethoven","tag-busoni","tag-concerto","tag-gilels","tag-liszt","tag-mozart"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/5977","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=5977"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/5977\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=5977"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=5977"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=5977"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}