{"id":6154,"date":"2017-04-30T09:37:50","date_gmt":"2017-04-30T07:37:50","guid":{"rendered":"http:\/\/latelierdediablotin.fr\/WordPress3\/?p=6154"},"modified":"2018-08-28T07:28:35","modified_gmt":"2018-08-28T05:28:35","slug":"playlist-disparate","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-disparate\/","title":{"rendered":"Playlist disparate"},"content":{"rendered":"

Pour finir avril, apr\u00e8s une semaine bien remplie et avant de chasser le muguet de mai, c’est une playlist disparate que je vous propose de d\u00e9couvrir aujourd’hui. –Cliquer sur l’image pour la voir en plus grand<\/em>-.<\/p>\n

\"\"<\/a><\/em><\/p>\n

\u00c7a commence avec un dr\u00f4le d’album de Tom Waits<\/strong>, qui reste tr\u00e8s facile d’acc\u00e8s –ce n’est pas toujours le cas avec les productions de cet \u00e9trange artiste, difficile \u00e0 cerner<\/em>– et contient quelques jolies perles, dont certaines presque proche d’un \u00ab\u00a0proto-blues rural\u00a0\u00bb assez avenantes. Keith Richards participa \u00e0 certaines chansons –guitare et choeurs<\/em>-, lui qui tra\u00eenait souvent dans les parages de l’artiste \u00e0 cette \u00e9poque –1985<\/em>-.<\/p>\n

\"\"<\/a>Les quatuors de Felix Mendelssohn<\/strong> sont d’une beaut\u00e9 poignante : les plus beaux, peut-\u00eatre, dans une veine m\u00e9lodique et lyrique, \u00e9crits apr\u00e8s Beethoven. L’int\u00e9r\u00eat de l’album\u00a0du jour, c’est de pr\u00e9senter, \u00e9galement, un quatuor de sa grande soeur Fanny<\/strong> –cf. extrait ci-dessous<\/em>-. Ils se v\u00e9n\u00e9raient mutuellement et furent tous deux des talents tr\u00e8s pr\u00e9coces.
\nElle n’eut pas, cependant, l’occasion de \u00ab\u00a0faire carri\u00e8re\u00a0\u00bb suite aux \u00ab\u00a0recommandations\u00a0\u00bb paternelles:<\/p>\n

\n

\u00ab La musique deviendra peut-\u00eatre un m\u00e9tier pour F\u00e9lix, alors que pour toi elle doit rester seulement un agr\u00e9ment mais en aucun cas la base de ta vie et de tes actes. (…) Ta joie sinc\u00e8re devant les louanges dont b\u00e9n\u00e9ficie F\u00e9lix d\u00e9montre qu\u2019\u00e0 sa place tu en aurais m\u00e9rit\u00e9 autant. Reste fid\u00e8le \u00e0 ces sentiments et \u00e0 cette conduite car ils sont f\u00e9minins, et seul ce qui est f\u00e9minin peut \u00eatre un attrait pour ton sexe.<\/span> \u00bb<\/span>.<\/p>\n<\/blockquote>\n

Mais Fanny Mendelssohn resta toujours tr\u00e8s pr\u00e9sente dans l’intelligentsia allemande de l’\u00e9poque et composa un grand nombre de pi\u00e8ces diverses, que l’on commence \u00e0 d\u00e9couvrir. Accabl\u00e9 de chagrin \u00e0 la mort de sa soeur qu’il adorait, Felix Mendelssohn lui surv\u00e9cut 6 mois : l’un et l’autre d\u00e9c\u00e9d\u00e8rent tr\u00e8s jeunes.<\/p>\nhttps:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2017\/04\/Extrait30042017.mp3<\/a><\/audio>\n

Le disque suivant est une vaste plaisanterie tout-\u00e0-fait propice \u00e0 la d\u00e9tente des oreilles –il contient notamment l’in\u00e9narrable tube Wooly Bully<\/em>– avant d’aborder le dernier : une version satisfaisante de la deuxi\u00e8me symphonie de Sibelius<\/strong>, tr\u00e8s \u00e9quilibr\u00e9e et aux sonorit\u00e9s soign\u00e9es, mais de loin pas ma pr\u00e9f\u00e9r\u00e9e au sein d’une discoth\u00e8que tr\u00e8s fournie en la mati\u00e8re !<\/p>\n","protected":false},"excerpt":{"rendered":"

Pour finir avril, apr\u00e8s une semaine bien remplie et avant de chasser le muguet de mai, c’est une playlist disparate que je vous propose de d\u00e9couvrir aujourd’hui. –Cliquer sur l’image pour la voir en plus grand-. \u00c7a commence avec un dr\u00f4le d’album de Tom Waits, qui reste tr\u00e8s facile d’acc\u00e8s –ce n’est pas toujours le […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[2,4],"tags":[62,124,58,63],"class_list":["post-6154","post","type-post","status-publish","format-standard","hentry","category-au-jour-le-jour","category-musique","tag-mendelssohn","tag-quatuor-a-cordes","tag-sibelius","tag-symphonie"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/6154","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=6154"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/6154\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=6154"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=6154"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=6154"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}