{"id":6406,"date":"2017-07-03T19:33:00","date_gmt":"2017-07-03T17:33:00","guid":{"rendered":"http:\/\/latelierdediablotin.fr\/WordPress3\/?p=6406"},"modified":"2017-07-03T19:33:00","modified_gmt":"2017-07-03T17:33:00","slug":"playlist-en-forme-dhommage","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-en-forme-dhommage\/","title":{"rendered":"Playlist en forme d’hommage"},"content":{"rendered":"

\"\"<\/a>Un seul album dans la playlist du soir, puisqu’il faudra vraisemblablement que je ressorte assez rapidement pour une r\u00e9union en soir\u00e9e\u2026 –Cliquer sur l’image pour la voir en plus grand<\/em>-. Mais c’est un tr\u00e8s bel album en forme d’hommage \u00e0 un tr\u00e8s grand chef, disparu il y a assez peu de temps –en janvier 2014<\/em>– et qui connut un assez singulier destin.<\/p>\n

En effet, alors que son mandat \u00e0 Berlin, comme successeur de Karajan, entre 1989 et 2000, provoqua maints commentaires assez peu am\u00e8nes -sur son absence d’autorit\u00e9,\u00a0sur le r\u00e9pertoire propos\u00e9 en concert, sur une hypoth\u00e9tique baisse du niveau de l’orchestre\u2026<\/em>-, son retour ponctuel vers le pupitre du m\u00eame orchestre, apr\u00e8s une tr\u00e8s grave maladie op\u00e9r\u00e9e au tout d\u00e9but du mill\u00e9naire, se solda r\u00e9guli\u00e8rement par de vraies r\u00e9ussites, reconnues et salu\u00e9es comme telles.<\/p>\n

Au printemps 2013, il r\u00e9apparut une derni\u00e8re fois \u00e0 la t\u00eate de la phalange berlinoise, tr\u00e8s fatigu\u00e9 et amaigri, pour une courte s\u00e9rie de concerts, comprenant notamment la musique de sc\u00e8ne \u00ab\u00a0Le songe d’une nuit d’\u00e9t\u00e9\u00a0\u00bb de Mendelssohn et la \u00ab\u00a0Symphonie fantastique\u00a0\u00bb de Berlioz.<\/p>\n

\"\"<\/a><\/p>\n

Ces concerts furent enregistr\u00e9s et publi\u00e9s sous le label de l’orchestre, richement accompagn\u00e9s de textes plut\u00f4t int\u00e9ressants et de multiples t\u00e9moignages des musiciens de l’orchestre, saluant avec une belle unanimit\u00e9 les rapports extr\u00eamement chaleureux qu’ils avaient fini par d\u00e9velopper avec leur ancien chef titulaire.<\/p>\n

Si la \u00ab\u00a0Symphonie fantastique\u00a0\u00bb s’inscrit parmi les versions les plus lisibles et architectur\u00e9es de l’oeuvre, et constitue \u00e0 ce titre une vraie r\u00e9ussite, elle manque n\u00e9anmoins un peu de folie, mais elle est formellement magnifique –et l’orchestre joue superbement<\/em>-.
\nMais c’est surtout le Mendelssohn qui est merveilleux, d’une \u00e9l\u00e9gance raffin\u00e9e qui sied parfaitement \u00e0 l’oeuvre et rend justice au musicien. Abbado avait d\u00e9j\u00e0 enregistr\u00e9 les symphonies de Mendelssohn \u00e0 Londres dans les ann\u00e9es 80 –de belles versions, mais pas les plus significatives sans doute, au moins \u00e0 mes oreilles<\/em>-, mais le soup\u00e7on d’engagement compl\u00e9mentaire qu’il met ici et la transparence diaphane de l’orchestre font de cette version l’\u00e9gale des toute meilleures. L’oeuvre, de surcro\u00eet, est ravissante, et l’on a du mal \u00e0 croire que l’ouverture –un court extrait ci-dessous, juste pour vous donner envie d’en conna\u00eetre plus\u2026<\/em>– ait \u00e9t\u00e9 compos\u00e9e par un jeune g\u00e9nie de 17 ans !<\/p>\nhttps:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2017\/07\/01-A-Midsummer-Night_s-Dream-Overture-op.-21_-Allegro-di-molto-\u2013-Poco-ritenuto.mp3-0.0000-409.7878.mp3<\/a><\/audio>\n","protected":false},"excerpt":{"rendered":"

Un seul album dans la playlist du soir, puisqu’il faudra vraisemblablement que je ressorte assez rapidement pour une r\u00e9union en soir\u00e9e\u2026 –Cliquer sur l’image pour la voir en plus grand-. Mais c’est un tr\u00e8s bel album en forme d’hommage \u00e0 un tr\u00e8s grand chef, disparu il y a assez peu de temps –en janvier 2014– […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[151,62],"class_list":["post-6406","post","type-post","status-publish","format-standard","hentry","category-musique","tag-berlioz","tag-mendelssohn"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/6406","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=6406"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/6406\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=6406"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=6406"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=6406"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}