{"id":7103,"date":"2017-11-22T20:49:10","date_gmt":"2017-11-22T19:49:10","guid":{"rendered":"http:\/\/latelierdediablotin.fr\/WordPress3\/?p=7103"},"modified":"2017-11-23T23:33:28","modified_gmt":"2017-11-23T22:33:28","slug":"playlist-vieilles-cires-jubilatoire","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-vieilles-cires-jubilatoire\/","title":{"rendered":"Playlist \u00ab\u00a0Vieilles cires\u00a0\u00bb : jubilatoire !"},"content":{"rendered":"

C’est une playlist consacr\u00e9e \u00e0 de vieilles cire enregistr\u00e9es au tout d\u00e9but du mandant d’Herbert Von katakana<\/del> Karajan \u00e0 la t\u00eate du tout nouvellement cr\u00e9\u00e9 Philharmonia Orchestra qui \u00e9gaie mon d\u00e9but de soir\u00e9e ! –Cliquer sur l’image pour la voir en plus grand : on pourra noter que, comme Deutsche Grammophon \u00e0 la m\u00eame \u00e9poque, les pochettes des s\u00e9ries de luxe d’Emi\/Capitol \u00e9taient tr\u00e8s sobres et toutes r\u00e9alis\u00e9es sur le m\u00eame mod\u00e8le<\/em>-.<\/p>\n

\"\"<\/a><\/p>\n

On y trouve d’abord deux absolues raret\u00e9s dans le r\u00e9pertoire du chef : la premi\u00e8re symphonie de Balakirev<\/strong> et la quatri\u00e8me symphonie d’Albert Roussel<\/strong>, qui voyaient alors la cr\u00e9ation discographique de leurs oeuvres –respectivement parues dans deux coffrets de 8 et 4 78T<\/em>-. L’enregistrement de ces deux oeuvres fut rendue possible gr\u00e2ce au financement d’un m\u00e9c\u00e8ne, la Maharadjah de Mysore.
\nLa symphonie de Balakirev est encore compl\u00e8tement inscrite dans le r\u00e9pertoire romantique et s’av\u00e8re tr\u00e8s bien construite et d’\u00e9coute tr\u00e8s agr\u00e9able, notamment pour son troisi\u00e8me mouvement. Quant \u00e0 cette interpr\u00e9tation pionni\u00e8re –1949<\/em>-, elle reste tout-\u00e0-fait excellente et laisse entendre un Philharmonia Orchestra tr\u00e8s virtuose et engag\u00e9, malgr\u00e9 sont tr\u00e8s jeune \u00e2ge.<\/p>\n

\"\"<\/a>La symphonie de Roussel b\u00e9n\u00e9ficia des m\u00eames critiques tr\u00e8s \u00e9logieuses lors de sa parution en 1949, soit juste quinze ans apr\u00e8s sa composition. Karajan fut toujours tr\u00e8s \u00e0 l’aise dans ce type de r\u00e9pertoire, comme en atteste \u00e9galement les symphonies de Honegger qu’il enregistra plus tard.
\nDans les deux cas, ces enregistrements sont excellents pour l’\u00e9poque, et parmi les meilleurs 78T jamais enregistr\u00e9s.<\/p>\n

Les albums consacr\u00e9s \u00e0 des oeuvres de Richard Strauss<\/strong>\u00a0–1951<\/em>– et de Respighi<\/strong>\u00a0–1958, st\u00e9r\u00e9o, et l’un des derniers enregistrements du chef avec l’orchestre londonien<\/em>– sont, quant \u00e0 eux, absolument jubilatoires : le chef fait sonner son orchestre avec brio, dans des oeuvres justement con\u00e7ues pour cela ! Karajan servit toujours avec bonheur Richard Strauss, et il n’avait pas besoin d’attendre d’\u00eatre \u00e0 la t\u00eate du Philharmonique de Berlin pour s’y illustrer ! Les rutilances romaines de Respighi sont au m\u00eame niveau.<\/p>\n

Une tr\u00e8s belle soir\u00e9e en cours, donc !<\/p>\n","protected":false},"excerpt":{"rendered":"

C’est une playlist consacr\u00e9e \u00e0 de vieilles cire enregistr\u00e9es au tout d\u00e9but du mandant d’Herbert Von katakana Karajan \u00e0 la t\u00eate du tout nouvellement cr\u00e9\u00e9 Philharmonia Orchestra qui \u00e9gaie mon d\u00e9but de soir\u00e9e ! –Cliquer sur l’image pour la voir en plus grand : on pourra noter que, comme Deutsche Grammophon \u00e0 la m\u00eame \u00e9poque, […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[97,86,56,40],"class_list":["post-7103","post","type-post","status-publish","format-standard","hentry","category-musique","tag-chef-dorchestre","tag-discotheque","tag-karajan","tag-strauss"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/7103","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=7103"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/7103\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=7103"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=7103"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=7103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}