{"id":7256,"date":"2017-12-27T10:51:25","date_gmt":"2017-12-27T09:51:25","guid":{"rendered":"http:\/\/latelierdediablotin.fr\/WordPress3\/?p=7256"},"modified":"2017-12-27T10:51:25","modified_gmt":"2017-12-27T09:51:25","slug":"une-discotheque-bilan-2017-les-decouvertes","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/une-discotheque-bilan-2017-les-decouvertes\/","title":{"rendered":"Une discoth\u00e8que. Bilan 2017. Les d\u00e9couvertes."},"content":{"rendered":"

Quelques tr\u00e8s jolies d\u00e9couvertes, cette ann\u00e9e, sont venues abonder ma discoth\u00e8que. –Cliquer sur l’image pour la voir en plus grand<\/em>-.<\/p>\n

\"\"<\/a><\/p>\n

\u2022 On trouve d’abord des \u00ab\u00a0d\u00e9couvertes absolues\u00a0\u00bb<\/strong> : musiciens et oeuvres que je ne connaissais pas du tout, sauf tr\u00e8s vaguement de nom\u2026 Il y a dans cette cat\u00e9gorie Maximilian Steinberg<\/strong>, compositeur russe, comme son nom ne l’indique pas, gendre de Rimsky-Korsakov et professeur de Chostakovich. Tr\u00e8s r\u00e9put\u00e9 au d\u00e9but de sa carri\u00e8re dans son pays, il s’est cantonn\u00e9 \u00e0 un style post-romantique qui l’a peu \u00e0 peu fait sombrer dans l’oubli. Ses deux symphonies, n\u00e9anmoins, sont tout-\u00e0-fait estimables. Kurt Atterberg<\/strong> est un musicien su\u00e9dois grosso modo contemporain de Sibelius, qui produisit notamment 9 symphonies –comme Beethoven, Bruckner ou Mahler\u2026<\/em>-, l\u00e0 encore dans une veine post-romantique assez affirm\u00e9e, o\u00f9 l’on peut trouver une belle verve m\u00e9lodique : c’est souvent tr\u00e8s bien, rarement exceptionnel –cf. extrait 1<\/em>-. Jon Leifs<\/strong> est presque son exact contemporain : islandais, sa musique est nettement plus hardie et \u00e9voque, par moments, de la bonne musique de film. Une belle d\u00e9couverte !<\/p>\nhttps:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2017\/12\/Extrait1_27122017.mp3<\/a><\/audio>\n

\u2022 Quant aux autres, il s’agit de \u00ab\u00a0d\u00e9couvertes relatives\u00a0\u00bb<\/strong> : les oeuvres pour piano d’Einojuhani Rautavaara<\/strong> gagneraient \u00e0 \u00eatre mieux enregistr\u00e9es, sans doute, que dans cette version o\u00f9 le piano peine \u00e0 s’exprimer –la firme, \u00e0 tr\u00e8s petit prix, n’a jamais \u00e9t\u00e9 r\u00e9put\u00e9e pour ses prises de son de piano, opaques, r\u00e9verb\u00e9r\u00e9es et un peu brouillonnes<\/em>-. Le meilleur y c\u00f4toie le moins int\u00e9ressant, on passe d’un piano statique et r\u00e9flexif \u00e0 des passages plus sonores et presque clinquants –cf. extrait 2<\/em>-. Telemann<\/strong> et Purcell<\/strong> ne m’\u00e9taient bien \u00e9videmment pas inconnus, mais, en d\u00e9finitive, je les connais assez mal, notamment le second, et l’\u00e9coute de ce disque m’a r\u00e9serv\u00e9 de jolies surprises. Enfin, Ticho Parly<\/strong>, grand t\u00e9nor wagn\u00e9rien, b\u00e9n\u00e9ficiait d’une belle aura aupr\u00e8s des amateurs du compositeur, mais ses enregistrements \u00e9taient quasiment introuvables, avant cette r\u00e9\u00e9dition, dans une tr\u00e8s belle collection : la d\u00e9couverte est \u00e0 la hauteur de mon attente et de sa r\u00e9putation !<\/p>\nhttps:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2017\/12\/Extrait2_27122017.mp3<\/a><\/audio>\n","protected":false},"excerpt":{"rendered":"

Quelques tr\u00e8s jolies d\u00e9couvertes, cette ann\u00e9e, sont venues abonder ma discoth\u00e8que. –Cliquer sur l’image pour la voir en plus grand-. \u2022 On trouve d’abord des \u00ab\u00a0d\u00e9couvertes absolues\u00a0\u00bb : musiciens et oeuvres que je ne connaissais pas du tout, sauf tr\u00e8s vaguement de nom\u2026 Il y a dans cette cat\u00e9gorie Maximilian Steinberg, compositeur russe, comme son […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[77,179,111,83],"class_list":["post-7256","post","type-post","status-publish","format-standard","hentry","category-musique","tag-piano","tag-sonates","tag-symphonies","tag-wagner"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/7256","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=7256"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/7256\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=7256"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=7256"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=7256"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}