{"id":7586,"date":"2018-04-02T09:11:08","date_gmt":"2018-04-02T07:11:08","guid":{"rendered":"http:\/\/latelierdediablotin.fr\/WordPress3\/?p=7586"},"modified":"2018-04-02T09:11:08","modified_gmt":"2018-04-02T07:11:08","slug":"playlist-the-american-way-tothe-concerto","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-the-american-way-tothe-concerto\/","title":{"rendered":"Playlist \u00ab\u00a0The American Way ToThe Concerto\u00a0\u00bb"},"content":{"rendered":"

A la fin des ann\u00e9es 50, trois fabuleux pianistes \u00e9merg\u00e8rent, presqu’en m\u00eame temps, des Etats-Unis et connurent des carri\u00e8res de m\u00e9t\u00e9orites d’une dizaine d’ann\u00e9es, consacr\u00e9es par quelques enregistrements de tr\u00e8s haute vol\u00e9e, pour les firmes am\u00e9ricaines RCA, Mercury ou CBS. Leurs points communs : des mains immenses, des doigts longilignes, une formation technique exceptionnelle, belle sonorit\u00e9. Il s’agit de :
\n\u2022<\/strong> Leon Fleisher<\/strong><\/span><\/a>, qui enregistra une formidable s\u00e9rie de concertos du grand r\u00e9pertoire avec l’orchestre de Cleveland et George Szell –Beethoven, Brahms, Grieg, Mozart, Schumann<\/em>-, avant de devoir r\u00e9orienter sa carri\u00e8re vers l’enseignement –beaucoup<\/em>– et la direction d’orchestre –un peu<\/em>-, suite \u00e0 une paralysie de la main droite;
\n\u2022<\/strong> Byron Janis<\/strong><\/span><\/a>, qui enregistra rapidement les concertos romantiques les plus c\u00e9l\u00e8bres ainsi que quelques magnifiques albums de musique pour piano seul. Lui aussi cessa sa carri\u00e8re relativement rapidement, une arthrose des mains le plongeant dans une d\u00e9pression dont il ne sortit que tr\u00e8s tardivement;
\n\u2022<\/strong> Van Cliburn<\/strong><\/span><\/a> –nom de sc\u00e8ne pour Harvey Lavan Cliburn<\/em>-, premier laur\u00e9at du concours international de piano Tchaikovsky en pleine guerre froide devant un jury essentiellement sovi\u00e9tique, et qui ne confirma jamais au-del\u00e0 de ses albums de jeunesse son immense talent.<\/p>\n

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Tous ces albums –cliquer sur l’image pour la voir en plus grand<\/em>– sont marqu\u00e9s par des prises de son exceptionnelles pour l’\u00e9poque, un engagement puissant des artistes dans des interpr\u00e9tations \u00ab\u00a0objectives\u00a0\u00bb mais brillantes et un accompagnement g\u00e9n\u00e9ralement soign\u00e9 des chefs les accompagnant. Ils se vendirent tous remarquablement –le disque de Van Cliburn fut le premier disque de musique classique \u00e0 d\u00e9passer le million d’exemplaires des ventes, chiffre \u00e9norme en musique classique<\/em>– bien et contribu\u00e8rent \u00e0 populariser ces oeuvres aux Etats-Unis, d’une art, et \u00e0 me constituer une fort belle playlist d’autre part ! L’extrait pris au hasard devrait ravir vos oreilles\u2026<\/p>\nhttps:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2018\/04\/02-Schumann-Piano-Concerto-in-A-minor-Op.-54_-II.-Intermezzo.-Andantino-grazioso.mp3<\/a><\/audio>\n","protected":false},"excerpt":{"rendered":"

A la fin des ann\u00e9es 50, trois fabuleux pianistes \u00e9merg\u00e8rent, presqu’en m\u00eame temps, des Etats-Unis et connurent des carri\u00e8res de m\u00e9t\u00e9orites d’une dizaine d’ann\u00e9es, consacr\u00e9es par quelques enregistrements de tr\u00e8s haute vol\u00e9e, pour les firmes am\u00e9ricaines RCA, Mercury ou CBS. Leurs points communs : des mains immenses, des doigts longilignes, une formation technique exceptionnelle, belle […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[114,50,127,77,115],"class_list":["post-7586","post","type-post","status-publish","format-standard","hentry","category-musique","tag-brahms","tag-concerto","tag-liszt","tag-piano","tag-tchaikovsky"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/7586","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=7586"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/7586\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=7586"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=7586"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=7586"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}