{"id":7631,"date":"2018-04-22T10:47:23","date_gmt":"2018-04-22T08:47:23","guid":{"rendered":"http:\/\/latelierdediablotin.fr\/WordPress3\/?p=7631"},"modified":"2018-04-22T10:47:23","modified_gmt":"2018-04-22T08:47:23","slug":"opera-representation-du-dimanche-matin","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/opera-representation-du-dimanche-matin\/","title":{"rendered":"Op\u00e9ra. Repr\u00e9sentation du dimanche matin"},"content":{"rendered":"

Evidemment,\u00a0 <\/span>en me lan\u00e7ant dans l’\u00e9coute d’un op\u00e9rable dimanche matin \u00e0 partir de 9 heures environ, j’envisage, entractes compris, de d\u00e9jeuner tard ! \u00c7a tombe bien, TheCookingCat rentre du travail vers 13:30 environ, et j’ai donc le temps de profiter un peu de son absence pour \u00ab\u00a0\u00e9couter fort\u00a0\u00bb cet album que je cherchais depuis longtemps, et qu’on trouve assez difficilement \u00e0 prix convenable –il semble qu’il n’ait pas \u00e9t\u00e9 r\u00e9\u00e9dit\u00e9 depuis plusieurs ann\u00e9es<\/em>-. Tr\u00e8s jolie pr\u00e9sentation, excellent livret –qui n\u00e9cessite cependant l’achat surnum\u00e9raire d’une loupe, tant les textes sont \u00e9crits petits…<\/em>-.<\/p>\n

\"\"<\/a><\/p>\n

A la fin des ann\u00e9es 80 et au d\u00e9but des ann\u00e9es 90, les grands \u00e9diteurs enregistraient \u00e0 tout de bras des \u00ab\u00a0Ring\u00a0\u00bb int\u00e9graux, pour profiter des avantages du num\u00e9rique, d’une part, et pr\u00e9senter une nouvelle g\u00e9n\u00e9ration d’artistes, d’autre part. On eut donc droit, tour \u00e0 tour, \u00e0 James Levine pour Deutsche Gramophone –beau mais impavide et tr\u00e8s lent<\/em>-, Bernard Haitink pour EMI –beau mais lisse et presque sans passion<\/em>– puis, \u00e0 peine plus tard, Christoph Donanhyi entama sa version en 1992, avec cette Walkyrie, mais Decca n’alla jamais au bout de l’entreprise\u2026<\/p>\n

\"\"<\/a>Pourtant, des trois, c’est celui que je trouve le plus int\u00e9ressant : je pr\u00e9f\u00e8re de tr\u00e8s loin le Wotan de Robert Hale \u00e0 celui de James Morris –ce qui a une importance capitale pour la longue narration\u00a0introspective\u00a0de l’acte 2<\/i>-, interpr\u00e8te des deux versions concurrentes, et l’orchestre de Donanhyi, pr\u00e9cis et narratif, s’av\u00e8re excellent et tenu d’une main de ma\u00eetre –il est curieux que ce chef, qui enregistra beaucoup d’excellents disques \u00e0 cette \u00e9poque, ne soit pas plus connu : il fait partie des tr\u00e8s grands, malgr\u00e9 son d\u00e9ficit relatif de notori\u00e9t\u00e9…<\/em>-. Tous les chanteurs sont pour le moins satisfaisants, et l’engagement dramatique est plus intense que dans les deux albums sus-cit\u00e9s.<\/p>\n

Evidemment, ces trois version sont excellemment enregistr\u00e9es, b\u00e9n\u00e9ficient d’une production soign\u00e9e et, chacune \u00e0 leur mani\u00e8re, sentent le studio \u00e0 plein nez et manquent de l’engagement de versions enregistr\u00e9es en live, mais elles n’en pr\u00e9sentent pas, non plus, les \u00e9ventuelles petits \u00ab\u00a0pains\u00a0\u00bb ou les baisses de tension occasionnelles. Et leur prise de son s’av\u00e8re tr\u00e8s bien \u00e9quilibr\u00e9e, ce qui ne g\u00e2che pas le plaisir, bien au contraire ! Avec un petit plus pour cette version Decca, qui me semble la plus naturelle des trois.
\nL’une des meilleures version de studio, en d\u00e9finitive\u2026<\/p>\n","protected":false},"excerpt":{"rendered":"

Evidemment,\u00a0 en me lan\u00e7ant dans l’\u00e9coute d’un op\u00e9rable dimanche matin \u00e0 partir de 9 heures environ, j’envisage, entractes compris, de d\u00e9jeuner tard ! \u00c7a tombe bien, TheCookingCat rentre du travail vers 13:30 environ, et j’ai donc le temps de profiter un peu de son absence pour \u00ab\u00a0\u00e9couter fort\u00a0\u00bb cet album que je cherchais depuis longtemps, […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[83],"class_list":["post-7631","post","type-post","status-publish","format-standard","hentry","category-musique","tag-wagner"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/7631","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=7631"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/7631\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=7631"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=7631"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=7631"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}