{"id":8013,"date":"2018-09-03T18:58:43","date_gmt":"2018-09-03T16:58:43","guid":{"rendered":"http:\/\/latelierdediablotin.fr\/WordPress3\/?p=8013"},"modified":"2018-09-03T18:58:43","modified_gmt":"2018-09-03T16:58:43","slug":"playlist-pastorale-en-noir-et-blanc","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-pastorale-en-noir-et-blanc\/","title":{"rendered":"Playlist pastorale en noir et blanc"},"content":{"rendered":"

\"\"<\/a>Le curieux titre de cette notule introduit un album r\u00e9serv\u00e9 aux auditeurs curieux ou amoureux du piano, au choix\u2026\u00a0 <\/span>Entre 1837 et 1865, Franz Liszt, plus prodigieux pianiste de son temps, transcrivit toutes les symphonies de Beethoven pour le piano, afin d elles rendre accessibles au plus grand nombre –il \u00e9tait plus facile de r\u00e9unir un pianiste et un piano qu’un orchestre dans un salon\u2026<\/em>-.\u00a0<\/span><\/p>\n

Evidemment, ces transcriptions, comme la majorit\u00e9 des oeuvres de Liszt, ne sont pas \u00e0 mettre sous tous les doigts, tant elles sont virtuoses et requi\u00e8rent de ma\u00eetrise ! N\u00e9anmoins, elles sont, tr\u00e8s g\u00e9n\u00e9ralement, remarquablement bien r\u00e9alis\u00e9es, et le transcripteur refuse les effets faciles qu’il mit parfois dans ses transcriptions et autres paraphrases d’op\u00e9ras, autrement plus ostentatoires.\u00a0<\/span><\/p>\n

\"\"<\/a><\/p>\n

J’ai fr\u00e9quent\u00e9 ces transcriptions tr\u00e8s t\u00f4t dans ma vie de m\u00e9lomane, et les ai toujours beaucoup aim\u00e9es : tout jeune et d\u00e8s leur sortie, j’achetais la –formidable \u00e0 mes oreilles<\/em>– somme r\u00e9alis\u00e9e par le virtuosissime Cyprien Katsaris, sur un piano sp\u00e9cialement r\u00e9alis\u00e9 pour lui et \u00e0 cette fin, puis, un peu plus tard, l’int\u00e9grale beaucoup plus sage d’une excellente pianiste un peu m\u00e9connue, Idil Biret. J’ai aussi quelques symphonies enregistr\u00e9es par Leslie Howard dans le cadre de sa tr\u00e8s exhaustive int\u00e9grale Liszt –belles mais moins int\u00e9ressante que la premi\u00e8re cit\u00e9e du fait d’une prise de son un peu terne<\/em>-. La transcription de la 5\u00e8me symphonie par Glenn Gould est, \u00e0 mon sens, exceptionnelle \u00e9galement.<\/p>\n

Le disque de ce jour –cliquer sur l’imageette pour la voir en plus grand<\/em>– pr\u00e9sente une originalit\u00e9 : les oeuvres sont jou\u00e9es sur des pianos de l’\u00e9poque des transcriptions –un Bl\u00fcttner de 1867 et un Erard de 1837, qui ont demand\u00e9 des centaines d’heures de patiente restauration<\/em>-. Les prises de son s’av\u00e8rent exceptionnelles, et Yury Martynov, le pianiste du jour, est excellent : il s’est totalement appropri\u00e9 ces partitions difficiles et les restitue magnifiquement ! Les couleurs apport\u00e9es par ces pianos \u00ab\u00a0d’\u00e9poque\u00a0\u00bb sont tr\u00e8s diff\u00e9rentes de celles des pianos de concert actuels et viennent apporte un bel \u00e9clairage nouveau et compl\u00e9mentaires \u00e0 ces oeuvres : la \u00ab\u00a0pastorale\u00a0\u00bb est magnifique ! Une chouette playlist de rentr\u00e9e, puisqu’il para\u00eet que c’est le jour !<\/p>\nhttps:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2018\/09\/Extrait03092018.mp3<\/a><\/audio>\n","protected":false},"excerpt":{"rendered":"

Le curieux titre de cette notule introduit un album r\u00e9serv\u00e9 aux auditeurs curieux ou amoureux du piano, au choix\u2026\u00a0 Entre 1837 et 1865, Franz Liszt, plus prodigieux pianiste de son temps, transcrivit toutes les symphonies de Beethoven pour le piano, afin d elles rendre accessibles au plus grand nombre –il \u00e9tait plus facile de r\u00e9unir […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[30,127,77,111],"class_list":["post-8013","post","type-post","status-publish","format-standard","hentry","category-musique","tag-beethoven","tag-liszt","tag-piano","tag-symphonies"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/8013","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=8013"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/8013\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=8013"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=8013"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=8013"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}