{"id":8055,"date":"2018-09-20T20:22:29","date_gmt":"2018-09-20T18:22:29","guid":{"rendered":"http:\/\/latelierdediablotin.fr\/WordPress3\/?p=8055"},"modified":"2018-09-20T20:31:28","modified_gmt":"2018-09-20T18:31:28","slug":"playlist-dentame-de-soiree","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-dentame-de-soiree\/","title":{"rendered":"Playlist d’entame de soir\u00e9e"},"content":{"rendered":"

Au terme d’une chaude journ\u00e9e laborieuse –l’arriv\u00e9e de l’automne m\u00e9t\u00e9orologique, annonc\u00e9e pour demain, co\u00efncide presqu’exactement avec l’automne calendaire cette ann\u00e9e<\/em>-, c’est une playlist courte mais, une fois n’est pas coutume, apais\u00e9e, qui m’attendait, avec la 32\u00e8me et derni\u00e8re sonate pour piano de Beethoven <\/strong>-tr\u00e8s belle chronique de cette oeuvre \u00e0\u00a0lire ici<\/span><\/a><\/strong><\/em>-, l’une de celles que je pr\u00e9f\u00e8re et que, donc, j’\u00e9coute le plus r\u00e9guli\u00e8rement.<\/p>\n

\"\"<\/a>La version du jour, toutefois, est tr\u00e8s \u00e9trange : vraisemblablement, la plus lente de l’enti\u00e8re discographie, puisqu’elle s’\u00e9tend sur pr\u00e8s de 40 minutes, alors que, traditionnellement, la sonate est interpr\u00e9t\u00e9e en 22 \u00e0 25 minutes environ. –Cliquer sur l’image pour la voir en plus grand<\/em>-.
\nEvidemment, sur ce tempo lentissime, la m\u00e9lodie tend \u00e0 se disloquer quelque peu –m\u00eame si on ne trouve pas forc\u00e9ment dans cette version des profondeurs insondables<\/em>– et, souvent, l’harmonie est noy\u00e9e dans la p\u00e9dale et des accords sont arp\u00e9g\u00e9s –c’est surprenant, surtout, voire proche du contresens, pour l’introduction de la sonate<\/em>-, mais, pourtant, cela s’\u00e9coute sans d\u00e9plaisir, tant l’oeuvre est remarquablement \u00e9crite et le pianiste dispose d’un toucher plein de couleurs ! Evidemment, il ne s’agit pas d’une version pour d\u00e9couvrir l’oeuvre, mais c’est une belle version de compl\u00e9ment pour l’entendre autrement –g\u00e9n\u00e9ralement, Beethoven \u00e9crit si bien que ses oeuvres supportent assez bien des visions tr\u00e8s divergentes de son propos sans qu’elles en p\u00e2tissent outrageusement<\/em>-.<\/p>\n

Vous pouvez \u00e9couter cette version ici<\/strong><\/span><\/a>.<\/p>\n

Anatol Ugorski<\/strong>, qui est donc le pianiste du jour, fut sans doute l’un des derniers artistes-martyrs de l’\u00e8re sovi\u00e9tique et resta, jusqu’\u00e0 sa fuite en Allemagne dans des conditions rocambolesques, confin\u00e9es au arri\u00e8re-salles de concerts des villes les plus recul\u00e9es de l’ex-URSS, o\u00f9 il trouva pourtant toujours un public pour suivre ses concerts. C’est au d\u00e9but des ann\u00e9es 90 qu’il se fit conna\u00eetre triomphalement en Europe de l’Ouest, m\u00eame si, depuis, le soufflet est un peu retomb\u00e9.
\nSes albums sont assez souvent tr\u00e8s singuliers, le personnage se montrant volontiers iconoclaste, mais j’aime beaucoup ses \u00ab\u00a0Variations Diabelli\u00a0\u00bb de Beethoven et son interpr\u00e9tation de la transcription pour piano main gauche de la chaconne de Bach par Brahms m\u00e9rite un large coup d’oreille \u00e9galement.<\/p>\n

De quoi aborder calmement ce dernier jour d’\u00e9t\u00e9 !<\/p>\n","protected":false},"excerpt":{"rendered":"

Au terme d’une chaude journ\u00e9e laborieuse –l’arriv\u00e9e de l’automne m\u00e9t\u00e9orologique, annonc\u00e9e pour demain, co\u00efncide presqu’exactement avec l’automne calendaire cette ann\u00e9e-, c’est une playlist courte mais, une fois n’est pas coutume, apais\u00e9e, qui m’attendait, avec la 32\u00e8me et derni\u00e8re sonate pour piano de Beethoven -tr\u00e8s belle chronique de cette oeuvre \u00e0\u00a0lire ici-, l’une de celles que […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[30,77,87],"class_list":["post-8055","post","type-post","status-publish","format-standard","hentry","category-musique","tag-beethoven","tag-piano","tag-sonate"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/8055","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=8055"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/8055\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=8055"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=8055"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=8055"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}