{"id":8156,"date":"2018-10-31T08:59:17","date_gmt":"2018-10-31T07:59:17","guid":{"rendered":"http:\/\/latelierdediablotin.fr\/WordPress3\/?p=8156"},"modified":"2018-10-31T09:09:15","modified_gmt":"2018-10-31T08:09:15","slug":"playlist-haut-de-gamme-lectures-et-autres-considerations","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-haut-de-gamme-lectures-et-autres-considerations\/","title":{"rendered":"Playlist haut-de-gamme, lectures et autres consid\u00e9rations"},"content":{"rendered":"

Je me suis lanc\u00e9 \u00e0 l’assaut, ce matin, des concertos pour piano de Beethoven –cliquer sur l’image pour la voir en plus grand<\/em>-.<\/p>\n

\"\"<\/a><\/p>\n

Une tr\u00e8s belle interpr\u00e9tation d’un excellent pianiste russe –la critique musicale est \u00e9logieuse \u00e0 son \u00e9gard<\/em>– magnifiquement accompagn\u00e9 par un chef que j’appr\u00e9cie beaucoup dans Sibelius, et dont l’int\u00e9grale des symphonies de Beethoven n’avait pas laiss\u00e9 indiff\u00e9rent de tr\u00e8s nombreux auditeurs –je suis un peu plus r\u00e9serv\u00e9 pour ma part : c’est tr\u00e8s bien, mais pas si sid\u00e9rant que ce que j’ai pu en lire par ailleurs<\/em>-.\u00a0<\/span>
\nNonobstant, ces concertos trouvent ici une tr\u00e8s belle interpr\u00e9tation, le pianiste suscite le dialogue en permanence et l’orchestre lui r\u00e9pond au quart de tour –et vice-versa<\/em>-. Les conditions technique sont remarquables –la meilleure version sur mes \u00e9tag\u00e8res, \u00e0 cet \u00e9gard<\/em>– : un vrai bonheur !<\/p>\n

\"\"<\/a>Comme je connais ces oeuvres \u00e0 pr\u00e8s par coeur –sauf pour ce qui concerne le deuxi\u00e8me concerto, que j’\u00e9coute assez rarement<\/em>-, cela m’a permis d’entamer la lecture, en parall\u00e8le, du tr\u00e8s bon roman que vous d\u00e9couvrez sur l’imagette de droite, lecture entreprise apr\u00e8s<\/strong> avoir vu la s\u00e9rie t\u00e9l\u00e9vis\u00e9e –10 \u00e9pisodes<\/em>-, que j’ai bien aim\u00e9e.<\/p>\n

On y suit l’enqu\u00eate d’un psychiatre –l’ali\u00e9niste, c’est lui<\/em>– clone de Sherlock Holmes, affubl\u00e9 d’un journaliste en clone de Watson, poursuivant une sorte de clone de Jack-The-Ripper sanguinaire et d\u00e9rang\u00e9 \u00a0dans les bas-fonds de New York \u00e0 la toute fin du 19\u00e8me si\u00e8cle, avec en guest star un Teddy Roosevelt en incorruptible pr\u00e9fet de la police locale –ce fait est authentique<\/em>-.<\/p>\n

\"\"<\/a>
\nLecture-d\u00e9tente, donc, qui vient en compl\u00e9ment des ouvrages plus \u00ab\u00a0s\u00e9rieux\u00a0\u00bb que vous trouverez dans la barre des menus \u00e0 droite : une traduction facile \u00e0 lire du Kalevala, un ouvrage sur l’Angleterre victorienne et une revue consacr\u00e9e au rattachement de l’Alsace-Moselle \u00e0 la France \u00e0 la fin de la 1\u00e8re guerre mondiale, il y a 100 ans, tr\u00e8s bien document\u00e9e, notamment sur les \u00e9v\u00e9nements qui ont conduit \u00e0 la mise en place d’un \u00e9ph\u00e9m\u00e8re \u00ab\u00a0Soviet de Strasbourg\u00a0\u00bb –fait assez peu connu ailleurs qu’ici\u2026<\/em>-.<\/p>\n","protected":false},"excerpt":{"rendered":"

Je me suis lanc\u00e9 \u00e0 l’assaut, ce matin, des concertos pour piano de Beethoven –cliquer sur l’image pour la voir en plus grand-. Une tr\u00e8s belle interpr\u00e9tation d’un excellent pianiste russe –la critique musicale est \u00e9logieuse \u00e0 son \u00e9gard– magnifiquement accompagn\u00e9 par un chef que j’appr\u00e9cie beaucoup dans Sibelius, et dont l’int\u00e9grale des symphonies de […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[5,4],"tags":[30,50,101],"class_list":["post-8156","post","type-post","status-publish","format-standard","hentry","category-lecture","category-musique","tag-beethoven","tag-concerto","tag-strasbourg"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/8156","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=8156"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/8156\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=8156"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=8156"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=8156"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}