{"id":8499,"date":"2019-03-19T07:26:19","date_gmt":"2019-03-19T06:26:19","guid":{"rendered":"http:\/\/latelierdediablotin.fr\/WordPress3\/?p=8499"},"modified":"2019-03-19T07:26:19","modified_gmt":"2019-03-19T06:26:19","slug":"soiree-de-gala-concert-sibelius","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/soiree-de-gala-concert-sibelius\/","title":{"rendered":"Soir\u00e9e de gala – Concert Sibelius"},"content":{"rendered":"

Comme annonc\u00e9 dans la notule pr\u00e9c\u00e9dente, nous nous sommes rendus, hier soir, avec TheCookingCat, au concert pr\u00e9vu, dont le programme et les interpr\u00e8tes suivent.<\/p>\n

\"\"<\/a><\/p>\n

Arriv\u00e9s tr\u00e8s peu de temps avant la fermeture des portes, nous avons trouv\u00e9 deux places assises tout au fond de la salle de la grande \u00e9glise faisant office, pour un soir, de salle de concert. D\u00e9tail qui n’est pas si anecdotique pour la suite de cette notule… En effet, la r\u00e9verb\u00e9ration du lieu est tr\u00e8s importante et explique sans doute en grande partie que le message sonore parvenu jusqu’\u00e0 nos oreilles ait paru parfois un peu d\u00e9s\u00e9quilibr\u00e9. L’autre explication en \u00e9tant que l’orchestre compte assez peu de cordes, et que, notamment, les altos sont en petit effectif : on ne les a pas beaucoup entendus durant tout le concert.<\/p>\n

\"\"<\/a>Il en a r\u00e9sult\u00e9 quelques d\u00e9s\u00e9quilibres lors d’un Finlandia<\/strong> tr\u00e8s solennel o\u00f9 les cuivres, d’o\u00f9 nous \u00e9tions, couvraient parfois l’ensemble de l’orchestre. Pour autant, la petite harmonie est magnifique et l’entr\u00e9e du mouvement lent du concerto pour violon<\/strong> fut tout-\u00e0-fait superbe, comme d’ailleurs l’ensemble de l’oeuvre, prise sur un tempo tr\u00e8s large –ce qui est pr\u00e9f\u00e9rable en ce lieu tr\u00e8s r\u00e9sonnant<\/em>-. Ce concerto, magnifiquement \u00e9crit et tr\u00e8s virtuose, a donn\u00e9 \u00e0 entendre un superbe soliste, Shuichi Okada –un nom \u00e0 retenir<\/em>– tr\u00e8s bien accompagn\u00e9 par un orchestre de tr\u00e8s belle tenue, dans une vision essentiellement lyrique qui convient tout-\u00e0-fait \u00e0 cette oeuvre. Magnifique prestation \u00e9galement d’un soliste r\u00e9ellement prometteur, \u00e0 la tr\u00e8s belle sonorit\u00e9 et que l’on a pu admirer en \u00ab\u00a0rappel\u00a0\u00bb dans un extrait de la partita pour violon n\u00b03 de Bach, toute de l\u00e9g\u00e8ret\u00e9 et de finesse.<\/p>\n

La soir\u00e9e s’est achev\u00e9e sur un po\u00e8me symphonique de Dvo\u0159\u00e1k, \u00ab\u00a0La colombe<\/strong>\u00ab\u00a0, connu \u00e9galement sous le nom de \u00ab\u00a0La colombe sauvage\u00a0\u00bb. Le compositeur n’\u00e9tant pas de mes favoris, je ne connais l’oeuvre que d’assez loin, mais la version entendue ce soir \u00e9tait d’un tr\u00e8s beau lyrisme et chantait tr\u00e8s agr\u00e9ablement.<\/p>\n

Depuis la derni\u00e8re fois que j’avais entendu cet orchestre en concert, il me semble qu’il a remarquablement progress\u00e9 en terme de justesse de ton et de sonorit\u00e9, notamment au sein de la petite harmonie, vraiment impeccable. Son chef, Etienne Bardon, fut assistant d’Alain Lombard, lui-m\u00eame assistant de Karajan, dont on conna\u00eet la v\u00e9n\u00e9ration qu’il portait \u00e0 Sibelius.
\nMalgr\u00e9 une petite r\u00e9serve sur la salle peu ad\u00e9quate, une excellente soir\u00e9e et un tr\u00e8s beau concert !<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Comme annonc\u00e9 dans la notule pr\u00e9c\u00e9dente, nous nous sommes rendus, hier soir, avec TheCookingCat, au concert pr\u00e9vu, dont le programme et les interpr\u00e8tes suivent. Arriv\u00e9s tr\u00e8s peu de temps avant la fermeture des portes, nous avons trouv\u00e9 deux places assises tout au fond de la salle de la grande \u00e9glise faisant office, pour un soir, […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[2,4],"tags":[71,58],"class_list":["post-8499","post","type-post","status-publish","format-standard","hentry","category-au-jour-le-jour","category-musique","tag-bach","tag-sibelius"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/8499","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=8499"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/8499\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=8499"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=8499"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=8499"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}