{"id":8543,"date":"2019-04-07T08:34:15","date_gmt":"2019-04-07T06:34:15","guid":{"rendered":"http:\/\/latelierdediablotin.fr\/WordPress3\/?p=8543"},"modified":"2019-04-07T08:35:50","modified_gmt":"2019-04-07T06:35:50","slug":"playlist-touches-divoire-en-liberte","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-touches-divoire-en-liberte\/","title":{"rendered":"Playlist \u00ab\u00a0Touches d’ivoire en libert\u00e9\u00a0\u00bb"},"content":{"rendered":"

\"\"<\/a>L’\u00e9diteur allemand H\u00e4nssler publie r\u00e9guli\u00e8rement, dans sa collection Profil, des portraits d’artistes en se fondant sur des enregistrements libres de droit et parfois rares, qu’il compile assez intelligemment et diffuse ensuite \u00e0 des tarifs tr\u00e8s mod\u00e9r\u00e9s –cf. le coffret Gilels dans la m\u00eame collection<\/strong><\/span><\/a><\/em>-.<\/p>\n

C’est ainsi que j’ai achet\u00e9, tout r\u00e9cemment, le remarquable petit coffret –10 CD + 1 livret malheureusement assez succinct<\/em>-, tr\u00e8s vite d\u00e9pos\u00e9 dans ma bo\u00eete aux lettres, dont je vous pr\u00e9sente le contenant sur l’image de droite : une anthologie consacr\u00e9e au pianiste am\u00e9ricain –n\u00e9 russe<\/em>– Shura CHERKASSKY<\/strong> (1909 ou 1911, \u00e7a d\u00e9pend des sources\u2026 – 1995). Les enregistrements proviennent en grande majorit\u00e9 des deux \u00e9diteurs majeurs de musique classique de ces ann\u00e9es-l\u00e0 –on peut ainsi facilement retrouver les pochettes d’origine<\/em>– : DGG et EMI et ont b\u00e9n\u00e9fici\u00e9 d’un transfert tr\u00e8s soign\u00e9. Ce coffret est absolument admirable ! Vous pouvez le retrouver ici<\/strong><\/span><\/a>.<\/p>\n

\"\"<\/a>Dot\u00e9 d’une tr\u00e8s belle technique et d’une non moins belle sonorit\u00e9, CHERKASSKY \u00e9tait un pianiste abordant les oeuvres avec une grande libert\u00e9 rythmique et un sens du rubato ind\u00e9niable. Dans le r\u00e9pertoire romantique qu’il aborda essentiellement –Chopin Liszt, Tcha\u00efkovsky, Schumann\u2026<\/em>-, cela fonctionne formidablement bien et cela permet parfois de dynamiter des oeuvres archi-connues sans les trahir pour autant.<\/p>\n

Malgr\u00e9 sa tr\u00e8s longue carri\u00e8re, il enregistra en d\u00e9finitive assez peu –m\u00eame si sa discographie est enrichie de nombreux enregistrements r\u00e9alis\u00e9s en concert et publi\u00e9s plus tardivement<\/em>-, et connut son heure de gloire dans les ann\u00e9es 50 et 60. Karajan l’admirait beaucoup et ils enregistr\u00e8rent ensemble une magnifique version de la \u00ab\u00a0Fantaisie Hongroise\u00a0\u00bb de Liszt, qui ouvre d’ailleurs ce coffret et qui fut l’une de mes toute premi\u00e8re d\u00e9couverte musicale quand j’\u00e9tais enfant.<\/p>\n

R\u00e9put\u00e9 trop fantasque pour \u00eatre facilement accompagn\u00e9 par un orchestre, le pianiste a pourtant enregistr\u00e9 d’excellentes versions des deux premiers concertos de Tcha\u00efkovsky et un premier concerto de Listz non moins convaincant. Son approche des concertos de Schumann et Grieg, autres chevaux de bataille du catalogue, est \u00e9galement superbe, l’\u00e9nergie d\u00e9bordante du pianiste \u00e9tant canalis\u00e9e par l’approche ma\u00eetris\u00e9e du grand chef anglais Adrian Boult.<\/p>\n

Un \u00ab\u00a0Grand Seigneur\u00a0\u00bb du piano ! Et de belles heures d’\u00e9coute \u00e0 venir pour moi !<\/p>\n","protected":false},"excerpt":{"rendered":"

L’\u00e9diteur allemand H\u00e4nssler publie r\u00e9guli\u00e8rement, dans sa collection Profil, des portraits d’artistes en se fondant sur des enregistrements libres de droit et parfois rares, qu’il compile assez intelligemment et diffuse ensuite \u00e0 des tarifs tr\u00e8s mod\u00e9r\u00e9s –cf. le coffret Gilels dans la m\u00eame collection-. C’est ainsi que j’ai achet\u00e9, tout r\u00e9cemment, le remarquable petit coffret […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[86,77],"class_list":["post-8543","post","type-post","status-publish","format-standard","hentry","category-musique","tag-discotheque","tag-piano"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/8543","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=8543"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/8543\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=8543"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=8543"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=8543"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}