{"id":9284,"date":"2020-01-19T08:53:15","date_gmt":"2020-01-19T07:53:15","guid":{"rendered":"http:\/\/latelierdediablotin.fr\/WordPress3\/?p=9284"},"modified":"2020-01-19T08:53:15","modified_gmt":"2020-01-19T07:53:15","slug":"playlist-mendelssohn-a-lancienne","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-mendelssohn-a-lancienne\/","title":{"rendered":"Playlist \u00ab\u00a0Mendelssohn \u00e0 l’ancienne\u00a0\u00bb"},"content":{"rendered":"

En ce frisquet d\u00e9but de matin\u00e9e, une petite playlist gorg\u00e9e de soleil vient r\u00e9chauffer la maison, avec des enregistrements relativement anciens consacr\u00e9s \u00e0 Felix Mendelssohn-Bartholdy. Ils datent tous, en effet, d’avant l’apparition du \u00ab\u00a0HIP revival\u00a0\u00bb mais n’en sont pas moins tout-\u00e0-fait excellents ! Comme je continue \u00e0 faire le tour de ma discoth\u00e8que, ils sont tous extraits de coffrets plus ou moins volumineux et b\u00e9n\u00e9ficient tous de conditions techniques remises au go\u00fbt du jour : les transferts remast\u00e9ris\u00e9s sont tous excellents ! –Cliquer sur l’image pour la voir en plus grand<\/em>-.<\/p>\n

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J’ai donc commenc\u00e9 par la troisi\u00e8me symphonie \u00ab\u00a0Ecossaise\u00a0\u00bb<\/strong>, dont je vous ai d\u00e9j\u00e0 parl\u00e9 assez longuement par ailleurs, dans la version de William Steinberg –1952<\/em>-. Chef inscrit dans le courant \u00ab\u00a0objectif\u00a0\u00bb en vigueur aux Etats-Unis \u00e0 l’\u00e9poque, il propose une vision d\u00e9j\u00e0 assez proche de certaines versions actuelles : rapidit\u00e9 et fluidit\u00e9, \u00e9quilibre des pupitres, en particulier dans le premier mouvement, quasi-id\u00e9al \u00e0 mes oreilles !<\/p>\n

\u00ab\u00a0Le songe d’une nuit d’\u00e9t\u00e9\u00a0\u00bb<\/strong> propos\u00e9 par Klemperer est beaucoup plus marmor\u00e9en ! La lecture tr\u00e8s verticale du vieux colosse –le chef mesurait presque 2 m\u00e8tres et sa silhouette \u00e9tait assez massive<\/em>-, enregistr\u00e9e en 1960, apporte beaucoup de s\u00e9rieux \u00e0 une oeuvre qui n’en demande sans doute pas tant, mais b\u00e9n\u00e9ficie par ailleurs de tr\u00e8s bons chanteurs et reste tout-\u00e0-fait belle et int\u00e9ressante.<\/p>\n

La quatri\u00e8me symphonie \u00ab\u00a0Italienne\u00a0\u00bb<\/strong> enregistr\u00e9e en 1971 par Karajan et sa philharmonie de Berlin joue \u00e0 jeu le fond de la grande symphonie romantique et constitue une belle r\u00e9ussite dans cette perspective. L’int\u00e9grale des symphonies de Mendelssohn par le chef autrichien fut unanimement salu\u00e9e par la critique anglo-saxonne et allemande lors de sa sortie, et reste assez largement appr\u00e9ci\u00e9e dans ces pays, alors qu’en France, les critiques musicaux ont souvent \u00e9t\u00e9 plus partag\u00e9s \u00e0 son \u00e9gard\u2026<\/p>\n

Enfin, le\u00a0 <\/span>concerto pour violon<\/strong> par Campoli –accompagn\u00e9 en 1949 par Edouard Van Beinum, chef hollandais qui enregistra \u00e9norm\u00e9ment pour Decca dans les ann\u00e9es 40 et 50 mais qui est un peu oubli\u00e9 de nos jours<\/em>– est splendide, gr\u00e2ce \u00e0 la sonorit\u00e9 irradiante du violoniste.<\/p>\n

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Belle entame musicale avant de me poser devant les fourneaux !<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

En ce frisquet d\u00e9but de matin\u00e9e, une petite playlist gorg\u00e9e de soleil vient r\u00e9chauffer la maison, avec des enregistrements relativement anciens consacr\u00e9s \u00e0 Felix Mendelssohn-Bartholdy. Ils datent tous, en effet, d’avant l’apparition du \u00ab\u00a0HIP revival\u00a0\u00bb mais n’en sont pas moins tout-\u00e0-fait excellents ! Comme je continue \u00e0 faire le tour de ma discoth\u00e8que, ils sont […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[50,62,111,49],"class_list":["post-9284","post","type-post","status-publish","format-standard","hentry","category-musique","tag-concerto","tag-mendelssohn","tag-symphonies","tag-violon"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/9284","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=9284"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/9284\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=9284"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=9284"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=9284"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}