{"id":9485,"date":"2020-05-02T10:15:10","date_gmt":"2020-05-02T08:15:10","guid":{"rendered":"http:\/\/latelierdediablotin.fr\/WordPress3\/?p=9485"},"modified":"2020-05-02T10:15:10","modified_gmt":"2020-05-02T08:15:10","slug":"playlist-anti-machine-a-coudre","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-anti-machine-a-coudre\/","title":{"rendered":"Playlist \u00ab\u00a0anti-machine \u00e0 coudre\u00a0\u00bb"},"content":{"rendered":"

Entre Bach<\/strong> et mes oreilles, la relation est assez complexe ! Mal jou\u00e9, on peut vite se lasser face \u00e0 cette musique \u00ab\u00a0machine \u00e0 coudre\u00a0\u00bb, comme je l’appelle parfois. C’est pourquoi, tr\u00e8s souvent, il m’arrive de pr\u00e9f\u00e8rer des transcriptions ou des interpr\u00e9tations \u00e0 fort partis-pris.<\/p>\n

La playlist de ce jour, outre qu’elle consacr\u00e9e \u00e0 Bach, donc, met \u00e9galement en avant l’un des pionniers des interpr\u00e9tations historiquement inform\u00e9es, seul ou avec l’orchestre qu’il co-fonda au d\u00e9but des ann\u00e9es 70 : Trevor Pinnock<\/strong>, claveciniste de talent et chef d’orchestre, et son \u00ab\u00a0English Concert\u00a0\u00bb. –Cliquer sur l’image pour la voir en plus grand<\/em>-.<\/p>\n

\"\"<\/a><\/p>\n

Dans le monde de la musique baroque, \u00e0 la fin des ann\u00e9es 70 et au d\u00e9but des ann\u00e9es 80, les Anglais ont vu se multiplier les ensembles proposant des interpr\u00e9tations \u00ab\u00a0HIP\u00a0\u00bb : Gardiner, Hogwood, Norrington et donc Pinnock en constituent sans doute le quatuor le plus c\u00e9l\u00e8bre.<\/p>\n

Trevor Pinnock n’est ni le plus radical, ni le plus hardi de ce quatuor : il s’est prudemment cantonn\u00e9 \u00e0 un large r\u00e9pertoire des 17\u00e8me et 18\u00e8me si\u00e8cles, et, \u00e0 la diff\u00e9rence des trois autres, ne s’est jamais encanaill\u00e9 dans les symphonies de Beethoven par exemple. En revanche, les tr\u00e8s nombreux enregistrements qu’il a consacr\u00e9s \u00e0 Handel, Bach et Vivaldi, puis un peu plus tard, \u00e0 Haydn et Mozart, constituent tous, \u00e0 mes oreilles de formidables r\u00e9ussites, que l’on peut caract\u00e9riser ainsi : remarquable orchestre aux coloris riches, tr\u00e8s beaux \u00e9quilibres entre les pupitres, \u00e9l\u00e9gance des lignes. Sa carri\u00e8re de chef d’orchestre, \u00e0 la fin du 20\u00e8me si\u00e8cle, a pris un peu le pas sur son m\u00e9tier de claveciniste, vers lequel il s’est recentr\u00e9 depuis.\u00a0<\/span><\/p>\n

Un beau d\u00e9but de matin\u00e9e !<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Entre Bach et mes oreilles, la relation est assez complexe ! Mal jou\u00e9, on peut vite se lasser face \u00e0 cette musique \u00ab\u00a0machine \u00e0 coudre\u00a0\u00bb, comme je l’appelle parfois. C’est pourquoi, tr\u00e8s souvent, il m’arrive de pr\u00e9f\u00e8rer des transcriptions ou des interpr\u00e9tations \u00e0 fort partis-pris. La playlist de ce jour, outre qu’elle consacr\u00e9e \u00e0 Bach, […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[71,50,122],"class_list":["post-9485","post","type-post","status-publish","format-standard","hentry","category-musique","tag-bach","tag-concerto","tag-musique-baroque"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/9485","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=9485"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/9485\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=9485"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=9485"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=9485"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}